Submitted
by Larry Ray
I remember two things about Skip as we grew up –
One was when he and I delivered the Galt
Reporter together and the last stop was at the
Girl’s Reform School and after delivering the
papers we waited in the bushes to see the girls
get undressed (Skip’s Idea). We never did see
anything as the guards saw us and we had to run
like heck to prevent getting caught. The guards
reported us to the Newspaper and Skip and I had
a severe talking to from his dad – he kept the
route – but we never did that again.
The second memory was when I got the first
snowmobile in Galt and Skip, Flash and I tried
it out at Skip’s Place. We went to the
Galt Country Club after Skip’s dad kicked us off
his property for wrecking his grass and due to
all the noise. We were having lots of fun on the
green and sand traps until the security guards
were called in by the golf course and we headed
back to Skip’s and put the snowmobile in his
dad’ garage for a few hours then I rode it home
– we did not get in any trouble over that but
there was some repairs necessary to the greens
and sand traps in the spring.
Larry
ADVENTURES WITH SKIP
submitted by Allan Jones
Skip the food adventurer
He liked to eat at our local ethnic
restaurants. Whether he did his research before
or after these visits was a subject of debate.
In either event he could give you a detailed
report , including information about ingredients
and/or cooking methods that set the restaurant
apart from others.
Merry prankster Skip
Going on 50 years ago it was the
custom of car guys to cruise the Log Cabin, a
drive-in restaurant about where Hespeler Road
now meets Bishop Street. It was the custom to
drive slowly in one side of the Log Cabin lot
and out the other side, maybe more than once if
circumstances dictated, greeting friend and foe
with an exaggerated nod or a blip of the
throttle, though not a wave. On the night in
question, Skip and Al Jones were passengers in
the front seat of a car driven by Grant Hughes –
Skip in the window seat, it’s important to note.
As the car approached the Log Cabin, Skip slowly
slid below window level, leaving Al in the
girlfriend seat, shoulder-to-shoulder with Grant
– the two of them making their nods in greeting
to friends who returned only a disrespectful
laugh.
Skip the author
As young teens Skip and Al read the hotrod and
custom car magazines in the Strokers library,
and took to augmenting the articles with
elaborate exaggerations built on minor details
the magazines provided. Skip’s Pulitzer
achievement in those sessions built on a
description of the naugahyde upholstery –
naugahyde being a euphemism for vinyl -- the
owner had put into a particularly well done
custom car.
Skip
added, “Not only had builder sewn the upholstery
himself, but he had shot the graceful naug on a
recent hunting safari.”
Only
just the other day did we learn that Skip had
reprised his naug joke, asking a relative
serving as a cobbler and fussing over a pair of
obviously plastic shoes, “Now you know how many
naugs died to make those awful shoes?”
Travels with Skip
Two summers ago Skip set out, alone, on an
exploratory journey through the US to New
Brunswick – then wondered why friends here were
concerned for his safety – in fact, you couldn’t
put his truck and the word safety together in
the same sentence. Never mind that he was then
in failing health.
Skip
claimed his truck was perfectly safe, so long as
he took the precaution of adding brake fluid
every so many miles, or every so many hours on
the road, however he calculated the amount that
had leaked out. He maintained that if the truck
could go around the block, it could go across
the country. And he regarded our concerns as a
burden he did not need.
Skip’s sanitation habits
Skip’s tired old GMC pickup had the sliding
window behind the drivers head. This he kept
open most of the time and when he finished his
coffee or burger or whatever, he would toss the
cup or wrapper over his shoulder and the debris
would land in the truck box. This would follow
him around on his various journeys until such
time as he had to take something bigger to the
dump, and there he would shovel everything out
in the same session.
This
practice he followed with his new Blazer, never
mind that it had upholstered seats behind him
instead of a pickup box.
Skip the art lover
If he learned of an interesting exhibition at
the National Gallery – let’s say Monet – Skip
would set out on his own for Ottawa. Telling
nobody, he would drive to Ottawa and find some
quiet place to sleep over in his truck and then
attend the exhibition the following day. Having
soaked it all in, he would drive home again the
same day.
Somehow
in the next few days he would steer the
conversation around to art and then spring on
you a detailed review of the show he had seen
and show you a small print or a book he had
bought.
Sleep-over Skip
Skip had no concerns about sleeping over in his
truck, largely because he believed it blended
with any landscape and thus would attract no
one’s attention – like the cat who hides under
the table without realizing his tail was
sticking out for all to see.
Skip the salesman
Not so long ago, in a moment of
inattention, he said, Skip rear-ended a car on
Elgin Street North. The other driver, a
middle-aged woman, pulled over and got out of
the car to speak with him. Skip gathered his
papers and then managed to get himself out of
the Blazer to make sure the woman wasn’t hurt.
Which was the case.
So here
she had this stubby character, less than 100
pounds, bones protruding every which way, as
brown and wrinkled as a prune, long frizzy hair
growing at odd angles over much of his head. And
yet, she let herself believe that Skip did
indeed have a valid license, did have insurance,
and moreover he did have money to pay for her
repairs if she should choose not to involve
police or insurance companies.
They
settled on their own and each of them considered
it a bargain.
Analog Skip
Not so long ago Skip’s employer of long standing
offered to give him a computer and get him
hooked up to the internet at home. The boss’s
goal, more than likely, was to get Skip tuned in
so that he might use digitized drawings and
equipment on the job.
Skip
declined, claiming he couldn’t get hooked up so
long as he kept his home phone on a party line,
which he fully intended doing. And besides,
computers could do nothing to improve on a
happy, skilled employee, which he considered
himself to be.
On the
other hand, Skip would ask a friend to find out
for him where to get a piece of equipment, for
example, from a manufacturer located in Georgia.
He would write you a note with the
manufacturer’s name and a descriptive name of
the piece of equipment he wanted. And if you
came back with a phone number of the local
distributor, he would avoid asking where you got
it, knowing full well that you researched it on
line.
Skip
would dismiss any drawing or painting that was
produced by digital means.
Acoustic Skip
When we were maybe 13 or 14, we made a habit of
sitting in a small park overlooking downtown
Main Street in Galt. On those summer evenings,
owners of the coolest cars in town would cruise
Main, with turnarounds at the cenotaph on the
west end and right beneath us on the east end
where Main meets Shade Street on an angle that
provides a wide turn as well.
Skip
invented the game where we would sit in this
park but turn our backs to the street and listen
to the cars cruising beneath us. While hearing
but not seeing the cars, you had to name the car
and driver – as for example, Pete Scott’s 63
Stingray.
Skip
was undisputed champion of this game.
The
best time was Sunday evening when the locals who
had been to the drag races that afternoon would
cruise Main, strutting the markings on their
windshields that indicated they had raced that
very day.
Artist Skip
Skip could draw your car or build a model of it
in minute detail. His real-life American Austin,
though it never did make it to the streets,
nevertheless exists in countless drawings and
plastic scale models. In his drawings, each
component would be faithfully reproduced, as if
he would not permit himself a flight of fancy.
They were – are – imaginative yet faithful
reproductions.
If a
drawing was to be revised, the revision had to
be something he thought could be accomplished
full scale.
Art school Skip
Skip did move to Owen Sound for formal study of
visual arts at Georgian College. Money was
tight, though he lived simply. His calls were
always collect.
It was
certainly lack of money rather than lack of
talent that kept him from finishing the program.
For
Skip, it wasn’t about finishing, anyway, but
rather about improving his drawing skills and
learning more about art.
Argumentative Skip
Skip had an amazing memory for detail that would
lead him into more than his share of arguments
about this or that. One champion argument
concerned the content of a 50-year-old snapshot
he took in the back yard of the car club. After
several months of this particular dispute, Skip
arrived at a birthday/retirement party for Grant
Hughes and in the dim light of the banquet hall
pulled a dog-eared set of prints from his
pocket. He showed them around the table to
whoever would take yet another look, and then
claimed to have new evidence – that the guy in
the gray shirt and not the guy in the white
shirt was Norm or whoever, because it was a
known fact that Normie would never wear a white
shirt to work on his car. Never ever.
Skip the flirt
Wherever you went for a meal, it seemed at least
one waitress not only knew Skip but also had
some sort of ongoing relationship with him –
some unfinished conversation the two of them
could pick up on while others were looking at
the menu. They seemed genuinely fond of Skip in
a flirtatious way. If you asked, it would become
evident that the waitress used to work at such
and such bar where she was favoured on the
occasion of Skips visits. And before that, she
worked some other watering hole Skip frequented
at the time.
Skip
would occasionally turn up with some a flower or
some trinket he had made for a waitress who had
expressed a liking for let’s say a particular
plant. Skip might have bent up some small piece
of brass into the shape of a leaf and then
soldered on a stem. Or maybe it would be a
drawing of a particular boat design he thought
would look wonderful as a tattoo.
Skip
did have a brief career as a judge at a national
tattoo show. He might have considered himself
particularly well qualified to suggest a
waitress should favour his design.
Percussionist Skip
Skip played drums in an ill-fated Rock & Roll
band somewhere around 1966, at the height of the
psychedelic era. The band included Flash and Al
Jones, and Skip came to it with great enthusiasm
and encyclopedic knowledge of drums, but little
experience actually playing them when the band
was formed.
His
inexperience – our inexperience – might have
gone unnoticed except that the band, more or
less by accident, attracted a keyboard player
and a guitarist who knew a thing or two about
playing in an ensemble. And this, not
surprisingly in hindsight, created some friction
that ultimately resulted in the band falling
apart.
Skip
declared he had only been in it for the girls,
anyway – which may or may not have been the
case.
Much
later, Skip won a very nice electric guitar and
gave a concert for two, demonstrating that he
did know a few licks. He had probably learned
what he had from brother Matt.
Until
his health began to fail, Skip was a tireless
supporter of a local band and was well known by
patrons and staff alike at bars that featured
live entertainment.
This
was bluegrass Skip.
At
home, he listened to jazz radio.
He also
had a peculiar fondness for the flat, ironic
delivery of First Nations humour that he fed by
listening to a Six Nations radio station.